Sunday, September 28, 2014

Millie Jackson : I Cry

First track, written by Gary Byrd and Raeford Gerald, appearing on the album It Hurts So Good released in 1973. Three of Millie Jacksons albums have been certified gold by the RIAA for over 500,000 copies. Her vocal performances are often distinguished by long, humorous, and explicit spoken sections in her music, which she started doing on stage to get the attention of the audience. She has also recorded songs in a disco or dance music style and even some country styled songs.

George McCrae & Gwen McCrae : Winners Together Or Losers Apart

George McCrae formed his own singing group, the Jivin' Jets, before joining the United States Navy in 1963. Four years later, he reformed the group, with his wife Gwen joining the line-up, but soon afterwards they decided to work as a duo, recording for Henry Stone's Alston record label. Gwen then won a solo contract, with George acting as her manager as well as doing some singing on sessions and in clubs in Palm Beach. This one is released in 1976 on Cat Records written by Clarence Reid.

Idris Muhammad : Crab Apple

Idris Muhammad was an American jazz drummer who has recorded extensively with many musicians, in the beginning as a member of Lou Donalson band and Ahmad Jamal. Later he was the house drummer at Prestige Records (1970-1972), appearing on many albums as a sideman. Of his later jazz associations, Muhammad played with Johnny Griffin (1978-1979), Pharoah Sanders in the 1980s, George Coleman, and the Paris Reunion Band (1986-1988). He recorded everything from post-bop to dance music as a leader for such labels as Prestige, Kudu, Fantasy, Theresa, and Lipstick. Muhammad, who retired to New Orleans from New York City in 2011, died in July 2014 at the age of 74.

Sven Libaek & His Orchestra : Misty Canyon

Deep, moody, soulfull, jazzy, dark & spacey track by Norwegian/Australian film & Television composer, Sven Libaek.

Tuesday, September 2, 2014

Cassiano : Onda

"Onda" had it's release in 1977 on Polydor. Onda,” the nominal A-side here, affirms Cassiano as a sweet-soul guy with a hypnotic Barry-White-meets-the-Moments groove and feathery falsetto vocals. At close to eight minutes, complete with seagulls and crashing waves on the intro/outro, “Onda” is a bona fide mellow masterpiece that holds its own with “Playing Your Game” or “Sexy Mama.”